PUBLICATIONS
Books
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition with David Oertel. Lanham, MD: Rowman & Littlefield, 2019
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works. Lanham, MD: Rowman & Littlefield, 2013
A Conductor’s Guide to 19th-Century Choral-Orchestral Works. Lanham, MD: Scarecrow Press, 2008
A Conductor’s Guide to Choral-Orchestral Works of the Classical Period, Part I: Haydn and Mozart. Lanham, MD: Scarecrow Press, 2002
A Conductor’s Guide to the Choral-Orchestral Works of J. S. Bach. Lanham, MD: Scarecrow Press, 2000
A Conductor’s Guide to Choral-Orchestral Works: Twentieth Century, Part II. Lanham, MD: Scarecrow Press, 1998. Carl Ruggles: A Bio-Bibliography. Westport, CT: Greenwood Press, 1995
A Conductor’s Guide to Choral-Orchestral Works. Metuchen, NJ: Scarecrow Press, 1994
Articles and Chapters
“Six Things to Offer Your New College President,” Trusteeship (May/June 2019), xxvii: 3
“From Practice Room to Board Room,” Inside Higher Ed (December 2006)
“Hymns on the Twilight of Faith,” Journal of the Conductors Guild (Summer/Fall 2006), xxvi/2
“Carl Ruggles” in Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook, edited by Larry Sitsky, 409-414. Westport, CT: Greenwood Press, 2002
“Graphic Analysis for Conductors: Two Approaches,” Podium Notes (Winter 2001), xxiii: 4
“Score Study: A Personal Approach” Podium Notes (Summer/Fall 2001), xxiii: 2/3
“Symphonic Choral Works for Nationalistic Programs,” Podium Notes (May 2000)
“The Ever-changing Orchestra in J. S. Bach’s Choral Works,” Journal of the Conductors Guild (Winter/Spring 1998), xix: 1
“Music Theory Class: A Broader Approach,” Music Now, volume 23, number 1 (January 1998)
“The Legacy of Composition,” Music Now, volume 22, number 1 (January 1997)
“From Classroom to Podium: Teaching All of the Craft,” Journal of the Conductors Guild (Summer/Fall 1992), xii/2
“A Performing Analysis of J.E. Barat’s Andante et Allegro,” The TUBA Journal, with Barbara Payne (Winter 1991), xix: 2
Reviews
A Practical Guide to Choral Conducting by Harold Rosenbaum. Journal of the Conductors Guild (2019)
Score Study in The Conductor’s Role, fourth edition by John Koshak. Podium Notes (Winter 2001), xxiii: 4
“Visual Score Study” from The Art of Conducting Technique: A New Perspective by Harold Farberman. Podium Notes (Winter 2001), xxiii: 4
“Douglas M. Jordan: Alfred Reed: A Bio-Bibliography, a review,” Journal of the Conductors Guild (Summer/Fall 1998), xix: 2
PRESENTATIONS & CONFERENCES
Conference and lecture-series presenter
“The Founding Fathers, Liberal Arts Colleges, and the Great American Experiment,” Institute for Lifelong Learning at Susquehanna University, 2018
“The Liberal Arts College,” McLean County Historical Society, 2016
“The First Annapolis Dean’s Survey,” Annapolis Group Deans’ Meeting, Annapolis, 2014
“Beethoven and the Art of the Surprise,” McLean County Historical Society, 2011
“Beauty and Efficiency in Images for the Curriculum” with James Shulman, Council of Independent Colleges, Santa Fe, 2009
“Engineering, Addressing Human Priorities: At the Intersection of Diverse Disciplines,” Women’s College Coalition, Spelman College, 2008
“The Choral-Orchestral Music of Herbert Howells,” Conference of the Conductors Guild, Toronto, 2007
“Effective Educational Practices That Build Institutional Strength” with Jillian Kinzie, Council of Independent Colleges, San Antonio, 2005
“Songs for a New Found Land: Music in the United States,” Vero Beach Museum of Art Seminar, 2005
“Aaron Copland’s Emblems: An Analysis for Performance” with Thomas Erdmann, College Band Directors National Association, New York, 2005
“Why do We Listen? The Making of a Musical Masterpiece,” Vero Beach Museum of Art Seminar, 2004
“The Aesthetics of Perception in Music: The Art of Unfulfilled Expectation,” Denver College for a Day, 2003 and Vero Beach Museum of Art Humanities Lecture Series, 2003
“Hymns on the Twilight of Faith,” College Music Society Mid-Atlantic Chapter Meeting, Wingate University, 2002
Conference presenter as panelist/moderator
“So, You Want To Be a President,” Annapolis Group, Chicago, 2022
“Landing in the C-Suite,” College and University Public Relations Association of Pennsylvania, with Aaron Martin, Raymond Betzner and Rosalee Rush, 2019
“Preparing Students for National and International Fellowship and Scholarship Opportunities,” Council of Independent Colleges, Portland, 2014
Multiple sessions, Benjamin Britten at 100, Illinois State University, 2013
“Grantsmanship as Faculty Development” with Stephanie Fabritius and Marc Roy, Annapolis Group Deans’ Meeting, Annapolis, 2013
“The Future of the Humanities — Continuing the Conversation” with John Burney, Stephany Schlachter, and C. Reynold Verret, Council of Independent Colleges, St. Petersburg, 2011
“Faculty Evaluation” with Iain Crawford and Robert Holyer, Annapolis Group Deans’ Meeting, Annapolis, 2007
“Perspectives in Artist Management” with Zarin Mehta and Samuel Adler, Conference of the Conductors Guild, Toronto, 2007
“Student Success in College: A Profile of DEEP Institutions in the South,” Southern Association of Colleges and Schools Commission on Colleges, Atlanta, 2005
“Choral and Instrumental Music: Is the Divide Really So Wide?” Conference of the Conductors Guild, Boston, 2005
“What Can You Do With a Degree in Music?” College Music Society National Conference, Miami, FL, 2003
“What Can You Do With a Degree in Music?” College Music Society Mid-Atlantic Chapter Meeting, Davidson College, 2003
“Music in the 21st Century: What Next?” Conference of the Conductors Guild, New York, 2003
“The Role of Adjunct Instructors in College Music Programs,” College Music Society National Conference, Kansas City, MO, 2002
“Choral-Orchestral Works for Holiday Programming,” Conference of the Conductors Guild, Los Angeles, 1999
Professional development workshop presenter/leader
Council of Independent Colleges Workshop for New Chief Academic Officers, with Lily McNair and Caroline Simon, Baltimore, 2015
Council of Independent Colleges Workshop for New Chief Academic Officers, with Michael McDonald and Jeanine Silveira Stewart, Portland, 2014
“Difficult Faculty Conversations,” Council of Independent Colleges Workshop for Department and Division Chairs, Spokane, 2014
Council of Independent Colleges Workshop for New Chief Academic Officers, with Michael McDonald and Jeanine Silveira Stewart, Pittsburgh, 2013
American Council on Education Institute for New Chief Academic Officers, Miami, 2010
“Retention of Students,” Council of Independent Colleges Workshop for Department and Division Chairs, Cincinnati, 2010
Conference presenter as composer
“New Music Revelations: Music of Jonathan Green,” Winston Salem State University, 2009
Sisyphean Summer, College Music Society Fiftieth-Anniversary National Conference, Salt Lake City, nominated by the Mid-Atlantic Chapter, 2007
Sisyphean Summer, College Music Society Mid-Atlantic Chapter Meeting, Gardner-Webb College, 2007
Queensbury Rules, College Music Society Mid-Atlantic Chapter Meeting, Davidson College, 2003
Leviathan’s Wrath, International Tuba and Euphonium Conference, University of North Carolina at Greensboro, 2002
Come in Speaking Silence of a Dream, College Music Society Mid-Atlantic Chapter Meeting, Wingate University, 2002
Study in the Life Cycle of the Phoenix, College Music Society Mid-Atlantic Chapter Meeting, James Madison University, 2001
The Serendipity of Memory, Symposium of the Southeastern Composers’ League, University of North Carolina at Greensboro, 2000
Stop All the Clocks: Three Auden Cenotaphs, College Music Society Mid-Atlantic Chapter Meeting, University of North Carolina at Greensboro, 2000
Desperate Measures, College Music Society Mid-Atlantic Chapter Meeting, Sweet Briar College, 1999
Ave verum and Phos hilaron, Symposium of the Southeastern Composers’ League, Mississippi State University, 1999
La Lune Séduisante, Society of Composers, Inc. Regional Conference, Valdosta State University, 1998
Aeolian Voyages, Symposium of the Southeastern Composers’ League, University of North Carolina at Charlotte, 1998
Four Marian Antiphons, Symposium of the Southeastern Composers’ League, Radford University (VA), 1997
Oxonia, Symposium of the Southeastern Composers’ League, University of Southwestern Louisiana, 1996
Rhapsodie Diabolique, College Music Society Mid-Atlantic Chapter Meeting, West Virginia University, 1992
Ceremony after a fire-raid, College Music Society Mid-Atlantic Chapter Meeting, University of North Carolina at Greensboro, 1990
Conference host or planning committee member
Annapolis Group, Program Co-Chair, 2022-2023
Illuminating the Liberal Arts, College of St. Benedict, 2016
ACAD/ΦΒΚ Conference Planning Committee, Memphis, 2013
Independent Colleges and Universities of Virginia Association of Deans, Sweet Briar College, 2007
Annapolis Group, Deans’ Meeting Program Chair, Annapolis, MD, 2005
College Music Society, Mid-Atlantic Chapter Meeting, Sweet Briar College, 1999
College Music Society, Mid-Atlantic Chapter Meeting, Elon College, 1996
Compositions
Orchestra
Symphony No. 1, full orchestra, 25 minutes, 1981–82
Symphony No. 2 — Lake Erie Suite, full orchestra, 20 minutes, 1984
Symphony No. 3 — The Four Elements, full orchestra, 35 minutes, 1986
Seven Sonnets from the Portuguese (Elizabeth Barrett Browning), soprano and chamber orchestra, 25 minutes, 1986 (see also solo vocal)
Symphony No. 4, flute, clarinet, bassoon, piano, and strings, 18 minutes, 1989
Sinfonietta, full orchestra, 9 minutes, 1991
The Angel Sitter (Frank Deal), narrator, choir, and full orchestra, 13 minutes, 1991 (see also incidental music)
Old MacDonald Variations, full orchestra, 4 minutes, 1993
Symphony No. 5 — The Trumpet Sounds Within My Soul, for chorus and full orchestra, 55 minutes, 1993 (see also choral)
Symphony No. 6 — Children of Sarajevo: in memoriam (Kevin Boyle, Latin and Slavonic Liturgies) chorus, soprano soloist, and small orchestra, 25 minutes, 1995 (see also choral)
Three American Hymns, baritone soloist and full orchestra, 7 minutes, 1996
A Tale of Sound and Fury, concerto for three percussionists and orchestra, 15 minutes, 1996, published by C. Alan Music
Shards of Beauty, SSA choir and chamber orchestra, 25 minutes, 2000 (see also choral)
Necropolis Concerto, piano and orchestra, 20 minutes, 2000 (see also solo keyboard)
Leviathan’s Wrath, tuba and orchestra or wind ensemble, 14 minutes, 2002 (see also band)
Threnody, oboe and string orchestra, 7 minutes, 2002
Ars vitae, orchestra, 7 minutes, 2004
Symphony No. 7, chamber orchestra, 30 minutes, 2005
The Butcher’s Canticle of the Earth, solo percussion and strings, 15 minutes, 2007
Painting the Second Eye, orchestra, 8 Minutes, 2012
Band
Festal Fanfare, see also chamber, 4 minutes, 1988
Oxonia, Seven Scenes in One Movement, wind ensemble, 14 minutes, 1990
Henry VIII Suite, wind ensemble, 11 minutes, 1994
Toccata and Fugue, symphonic band, 9 minutes, 1995
Sacred Shadows, grade IV symphonic band, 7 minutes, 1998
Arcangelo’s Garden, symphonic band and brass quintet, 14 minutes, 1999
Rage, symphonic band, 7 minutes, 2001
Light Fantastic, piano and wind ensemble, 15 minutes, 2001 (see also solo keyboard)
Machaca, grade III Symphonic Band, 3 minutes, 2001, published by C. Alan Music
Crossroads Down, grade IV symphonic band, 8 minutes, 2002
Leviathan’s Wrath, tuba and orchestra or wind ensemble, 14 minutes, 2002 (see also orchestra)
Riding the Winds of December, op. 120 (Green), SA choir, narrator, and piano or band, 7 minutes, 2002 (see also choral)
Invictus, op. 165, symphonic band, 9 minutes, 2022
Percussion Ensemble
Tears of Apollo, percussion ensemble, 12 minutes, 1990, published by C. Alan Music
Fatal Dances, concerto for piano and percussion ensemble, 18 minutes, 1994, (see also solo keyboard), published by C. Alan Music
Chamber Music
Dada Pieces, 2–6 minutes each, 1982
I 2 clarinets, piano and bassoon
II 2 clarinets, 2 trumpets, euphonium and bassoon
III 2 clarinets
IV “Amanda Barker,” solo clarinet
V “Read Me a Lesson, Muse,” flute, violin and cello
VI “In the beginning,” octet of 4 treble and 4 bass instruments
Variations on a Theme of Benjamin Britten, horn and piano, 6 minutes, 1983
Three Little Pieces, flute and piano, 4 minutes, 1984
Serenade and Caprice for Double-Bass Trio, 5 minutes, 1985
Discourse in F Dorian, oboe, harpsichord, violin and cello, 4 minutes, 1985
Quartet Suite, oboe, harpsichord, violin and cello, 9 minutes, 1985
Serenade and Scherzo, solo flute, 4 minutes, 1986
Fanfare for Friday the Thirteenth, trumpet quintet, 4 minutes, 1986
David, nine vignettes for viola and piano, 22 minutes, 1988
Hampden-Sydney Processional, brass quintet, 5 minutes, 1988
Festal Fanfare, brass, clarinet, saxophone, percussion and piano, 4 minutes, 1988
Three Humoresques, 4 bassoons and contrabassoon, 8 minutes, 1989
Sing a Song of Sappho, soprano, flute, oboe, bassoon, percussion, piano, violin, viola and cello, 9 minutes, 1989 (see also solo vocal)
Atanos, two trombone quartets, 9 minutes, 1990
La lune séduisant, solo double bass, 4 minutes, 1990
The First Season, flute, violin, cello and piano, 5 minutes, 1990
Three Dreams of a Miller’s Wife: sonata for bassoon and piano, 18 minutes, 1990
Pythagorean Riffs, two alto-saxophones, 3 minutes, 1990
Four Poets, sonata for trombone and marimba, 15 minutes, 1991
Hyacinthus, trombone quartet, 5 minutes, 1992
The Serendipity of Memory, clarinet and string quartet, 18 minutes, 1992
Perchance to Dream, flute solo, 7 minutes, 1993
Les Colonnes Glacés, 2 trumpets and 2 Euphoniums, 4 minutes, 1994
Rondo Ricercare, tuba choir, 6 minutes, 1995
Aeolian Voyages, flute choir, 12 minutes, 1996
The Unlikely Courtier, trumpet and doublebass, 7 minutes, 1998
When We Were Giants, sonata for tuba and piano, 12 minutes, 1998
Hubert’s Vengance, sonata for horn and piano, 14 minutes, 2000
Of Daisies and Bees, 2 flutes and 2 cellos, 4 minutes, 2000
Ecce homo, string quartet and piano, 11 minutes, 2000
Water Dance, violin and piano, 3 minutes, 2000
Spoils of War, sonata for bass trombone and piano, 12 minutes, 2001
Specious Counterpoint, clarinet and violin, 4 minutes, 2003
Exaltation of Larks, clarinet and piano, 15 minutes, 2004
Sisyphean Summer, solo cello, 7 minutes, 2006
Dancing With Maurice, flute and piano, 6 minutes, 2008
Hagiophony, Piano Quartet No. 1, 17 minutes, 2008
Hephaestean Fall, solo cello, 5 minutes, 2008
Crimson Petal, flute and harp, 3 minutes, 2009
Clandestiny, Piano Quartet No. 2, 12 minutes, 2009
Elpinorean Spring, solo cello, 4 minutes, 2009
Persephonean Winter, solo cello, 4 minutes, 2009
Violin Sonata, violin and piano, 12 minutes, 2011
Elegy, tuba and piano, 7 minutes, 2013
A Devil’s Abecedarium, mezzo-soprano, trombone, piano and percussion, 15 minutes, 2013 (see also solo vocal)
Something Old… flute, oboe, clarinet, bassoon, violin, viola, cello, double bass and piano, 13 minutes, 2014
When lilacs last in the dooryard bloom’d, soprano, string quartet and piano, 45 minutes, 2015 (see also solo vocal)
Give Rise, brass and percussion, op. 164. 3 minutes, 2021
Solo Keyboard
Scenes from Childhood, piano, 14 minutes, 10 sections with original text, 1982
Chautauqua, 3 AM, piano, 5 minutes, 1982
Variations on an Old French Kyrie, organ, 6 minutes, 1982
Wedding March, organ 5 minutes, 1988
Fantasia on a Familiar Theme, 2 pianos-3 hands, 6 minutes, 1988
Rhapsodie Diabolique, piano, 9 minutes, 1992
Life Is Only Noise Elegantly Lulled, piano right-hand, 12 minutes, 1993
Fatal Dances, a Concerto for Piano and Percussion Ensemble, 18 minutes, 1994 (see also percussion ensemble), published by C. Alan Music
Desperate Measures, piano, 5 minutes, 1999
La Maîtresse des marteaux, sonata for piano, 14 minutes, 1999
Study on the Life Cycle of the Phoenix, piano, 8 minutes, 2000
Necropolis Concerto, piano and orchestra, 20 minutes, 2000 (see also orchestral)
Light Fantastic, piano and symphonic band, 15 minutes, 2001 (see also band)
Koschka Suite, 2 pianos 8-hands, 10 minutes, 2003
Queensbury Rules, piano, 7 minutes, 2003
Elegy, op. 163, piano, 4 minutes, 2021
Choral
Eucharist Setting, chorus and organ, 12 minutes, 1984
Psalm 149 “Cantate Domino,” chorus, organ, brass and timpani, 7 minutes, 1986
Predetermined Sacrifice, 6 men’s voices for dance, 5 minutes, 1987
Fatiha (Koran), 8-part chorus, 3 minutes, 1987
Benediction (John Henry Newman), SATB or SB, 1 minute, 1987
Psalm 19, “Coeli enarrant,” chorus with chant, 4 minutes, 1987
Introit for Christmas Vespers (Western Rite), chorus, 2 minutes, 1988
Three Romances, men’s chorus and flute, 7 minutes, 1988
I Music, when soft voices die (Percy Bysshe Shelley)
II Give Me Wine, Women and Snuff (John Keats)|
III She walks in beauty, like the night (Lord Byron)
Behold, God is my salvation (Isaiah 12:2-6), chorus, 3 minutes, 1988
Magnificat (macaronic texts from Luke and Samuel), double-chorus, 11 minutes, 1989
Four Marian Antiphons, SATB, 7 minutes, 1989
I Ave Regina caelorum
II Alma Redemptoris Mater
III Regina caeli
IV Salve Regina
Two Prayers, SSA chorus, 4 minutes, 1990
I Collect for Peace
II Prayer for Unity
Orpheus in America (Eric Grush), men’s chorus and 2 pianos, 5 minutes, 1991
The Lord’s Prayer, SATB choir, 3 minutes, 1991
Laudate Pueri, SATB Choir, 4 minutes, 1992
The Lord Bless You and Keep You, SATB choir, 2 minutes, 1993
Symphony No. 5 — The Trumpet Sounds Within My Soul, for chorus and full orchestra, 75 minutes, 1993 (see also orchestral)
I When the Stars Begin to Fall (spiritual, Frederick Douglass, Paul Dunbar)
II Mrs. Parks (Walt Whitman, Martin Luther King, Jr.)
III Four for Lunch (Henry David Thoreau, Gandhi, Sit-In Conduct Code)
IV Separate Is Not Equal (Declaration of Independence, John Adams, Brown vs. the Board of Education)
V The Dream (spiritual, Bible, Martin Luther King, Jr.)
Surge Illuminare, SATB chorus, 3 minutes, 1993
Introit (George Herbert), SATB chorus, trumpet and piano, 2 minutes, 1994
The Prayer of St. Francis, SATB chorus, 4 minutes, 1994
Hellas: Orpheus with His Lute (Shakespeare and Shelley), chorus, brass and percussion, 7 minutes, 1995
Psalm 23 — Adonai ro-i, lo ehsar, SATB chorus, 5 minutes, 1995
Blessing— Before the ending of the day, SATB choir, 2 minutes, 1995
Symphony No. 6 - Children of Sarajevo: in memoriam (Kevin Boyle, Latin and Slavonic Liturgies) chorus, soprano soloist and full orchestra, 25 minutes, 1995 (see also orchestral)
I Gospodi pomilui
II The Wall is Down
III Requiem in aeternam
Ave verum, SATB choir, 4 minutes, 1996
Of Learning Lightly Like a Flower, (Mary Boykin Chesnut and Alfred Tennyson), SSA choir, brass quintet and handbells, 5 minutes, 1997
Three George Herbert Hymns, SATB choir, 10 minutes, 1997
I Rise Heart, The Lord is Risen (tune: St. Peter’s on the Green)
II King of Glory (tune: Adams)
III Praised Be the God of Love (tune: Ferguson)
Phos Hilaron, SATB choir, 3 minutes, 1997
St. Peter’s Gloria, SATB choir and organ, 3 minutes, 1997
Dormi Jesu! The Virgin’s Cradle Hymn, SSAA choir, 3 minutes, 1998, published by Treble Clef Music Press
Magnificat, SSA choir, 5 minutes, 1999
Shards of Beauty, SSA choir and chamber orchestra, 25 minutes, 2000 (see also orchestral)
Seven Carols for Treble Choir, SSAA choir, 15 minutes, 2000
I Adam lay ybounden (anonymous, 15th-century)
II New Prince, New Pomp (Robert Southwell)
III This Endris Night (anonymous, 15th-century)
IV I Sing of a Maiden (anonymous , c. 1400)
V Bright Portals of the Sky (William Drummond)
VI On the Morning of Christ’s Nativity (John Milton)
VII All this Time (anonymous, 16th-century)
In the Shadow of Liberty’s Light, SSA or SATB choir, 5 minutes, 2001
Agnus Dei, SSSAAA choir, 1 minute, 2001
Spring Frost (Robert Frost), treble choir, 5 minutes, 2002
I A Prayer in Spring (SSAA)II Spring Pools (SA)
Nunc dimittis, SATB choir, 2 minutes, 2002
Riding the Winds of December, SA choir, narrator and piano or band, 7 minutes, 2002
Tantum ergo, SATB choir, 3 minutes, 2003
Venite, SATB choir, 3 minutes, 2004
L’Histoire d’Amour, SA choir and piano, 15 minutes, 2005
I Clair de lune (Paul Verlaine)
II Extase (Jean Lahor)
III En sourdine (Verlaine)
IV Prison (Verlaine)
V Il pleure dans mon coeur (Verlaine) VI L’ombre des arbres (Verlaine)
VII Adieu (Charles Grandmougin)
O magnum mysterium No. 1, SATB choir, 3 minutes, 2005
O magnum mysterium No. 2, SATB choir, 3 minutes, 2006
Gate of the Year (Haskins), SATB choir, 3 minutes, 2008
Sicut Cervus, SSA choir, 3 minutes, 2009
The Choir Invisible (George Eliot) SSA choir, soprano solo and brass quintet, 5 minutes, 2010
Ubi Caritas, SATB choir, 2011
Three English Carols, SATB choir and piano, 2012
I On the Nativity of Christ (William Dunbar)
II A Hymn on the Nativity of My Saviour (Ben Jonson)
III A Christmas Carol – What Sweeter Music (Robert Herrick)
Levavi oculos meos, SATB choir, 3 minutes, 2012
Stabat Mater, op. 158 (Jacopone da Todi), SSAATTBB choir, 14 minutes, 2018
Ring Out Ye Crystall Spheres, op. 159 (Milton), SATB choir, bells, brass, percussion and organ, 5 minutes, 2018
Weber Chapel Service, op. 160 (ELCA Worship) SATB choir and organ, 10 minutes, 2019
Timor et tremor, op. 161 (compilation from Psalms) SATB choir, 3 minutes, 2020
Solo Vocal
“kumrads die because they’re told)” (E.E. Cummings), baritone voice and piano, 3 minutes, 1982
“look at this” (E.E. Cummings), bass voice and piano, 4 minutes, 1982
FIVE (E.E. Cummings), baritone and piano, 13 minutes, 1983–85; revised 1986
I after all white horses are in bed
II touching you i say
III along the brittle treacherous bright streets of memory
IV our touching hearts
V if i have made, my lady
Psalm 130, “De Profundis,” tenor and organ, 5 minutes, 1985
Seven Sonnets from the Portuguese (Elizabeth Barrett Browning), soprano and chamber orchestra, 25 minutes, 1986
I Unlike are we, O princely heart!
II Thou hast thy calling
III I never gave a lock of hair away
IV When our two souls
V I see thine image through my tears
VI How do I love thee?
VII Belovèd, thou hast brought me many flowers
Ceremony after a fire-raid (Dylan Thomas), countertenor and piano, 11 minutes, 1987
I Myselves the grievers, grieve…
II I know not whether
III Into the organpipes and steeples
Ruth’s Address to Naomi, voice and organ, 3 minutes, 1988
Sing a Song of Sappho: Love Lyrics of Lesbos (Sappho, in English), soprano, flute, oboe, bassoon, percussion, piano, violin, viola and cello, 9 minutes, 1989
I Parthenia
II O marriage night, o binding god
III That man is a peer of the gods
IV Percussion, salt and honey
V Like the sweet apple
VI Where do the butler’s big feet go?
VII Parthenia
Five September Songs, soprano and English horn, 10 minutes, 1990
I I died for beauty (Emily Dickinson)
II The Unicorn (Ruth Pitter)
III Heat (H. D.)
IV Elegy (Edna St. Vincent Millay)
V What lips my lips have kissed (Edna St. Vincent Millay)
Five Robert Burns Songs, soprano and piano, 14 minutes, 1993
I Highland Laddie
II Wilt Thou be my Dearie?
III O wat ye wha’s in yon town
IV Galla Water
V Highland Lassie O
Three American Hymns, baritone soloist and full orchestra, 7 minutes, 1996
Stop All the Clocks: Three Auden Cenotaphs, baritone and piano, 10 minutes, 1999
I No Time
II Elegy for J.F.K.
III Stop all the clocks, cut off the telephone
Lady’s Hair (Mandy Rockwell), mezzo-soprano and piano, 3 minutes, 2000
Come in Speaking Silence of a Dream, high voice and piano, 8 minutes, 2000
I Ah! How Sweet it is to Love (John Dryden)
II Echo (Christina Rossetti)
III Those Eyes (Ben Jonson)
Three Roses: Herbaceous Songs of Love, voice and piano, 9 minutes, 2001
I Go lovely Rose (Edmund Waller)
II Song: To the Rose (Robert Herrick)
III Ah See the Virgin Rose (Edmund Spenser)
Summer’s Day (Shakespeare), voice and piano, 3 minutes, 2002
A Devil’s Abecedarium (Ambrose Bierce), mezzo-soprano, trombone, piano and percussion, 15 minutes, 2013 (see also chamber music)
Amore Cieco: Tre canzone di Michelangelo (Michelangelo Buonarroti), tenor and piano, 9 minutes, 2014
I Perc’all’estremo ardore
II Veggio co’ be’ vostr’occhi un dolce lume
III Ben tempo saria omai
When lilacs last in the dooryard bloom’d (Walt Whitman), soprano, string quartet and piano, 45 minutes, 2015 (see also chamber music)
The Land of Counterpane, op. 162 (Robert Louis Stevenson), voice and piano, 3 minutes, 2020
Opera
The Interior Castle, opera, approx. 2-1/2 hours, in progress
Incidental Music
The Angel Sitter (Frank Deal), narrator, choir and full orchestra, concerted melodrama, 13 minutes, 1991
Hannah Elias (Nathan Freeman Ross), piano and cello, music for a full-length play, 45 minutes of music, 1998
The Tempest (Shakespeare), soprano, SSA trio, flute, guitar and electronic sounds, 25 minutes of music, 2002
Arcadia (Tom Stoppard) solo piano, 25 minutes of music, 2006
Under Milkwood (Dylan Thomas) 30 minutes of music, 2010
Stabat Mater, op. 158 (Jacopone da Todi), SSAATTBB choir, 14 minutes, 2018
Ring Out Ye Crystall Spheres, op. 159 (Milton), SATB choir, bells, brass, percussion and organ, 5 minutes, 2018
Weber Chapel Service, op. 160 (ELCA Worship) SATB choir and organ, 10 minutes, 2019
Timor et tremor, op. 161 (compilation from Psalms) SATB choir, 3 minutes, 2020
Recordings
A Sweet Briar Christmas. SBC 001 – conductor, arranger and composer
Carolina Morning: An Eclectic Mix of American Music. KoDa 1001 – includes my composition, When We Were Giants
Ecce homo, DVD - music accompanying a series images drawn by David Dodge Lewis
Sweet Briar Christmas II. SBC 002 – conductor and composer
Piano in China. Albany Records, 2011 – includes my composition, On the Life Cycle of the Phoenix
Other Experience
Conducting
Conductor, Danville Symphony Orchestra, VA
2010–2011
Music Director, Greensboro Concert Band, NC
1999–2002
Music Director, Lee County Community Orchestra, Sanford, NC
1995–1996
Music Director, Alamance Chorale, Burlington, NC
1992–1994
Co-Conductor, Greensboro Symphony Youth Orchestra
1990–1993
Assistant-Conductor, University of North Carolina Greensboro Opera
1989–1991
Music Director, Heart of Virginia Chorale
1988–1989
Music Director for the Amherst College Theatre Department
Fall 1987
Church Music
Choir Director/Cantor, Ebenezer Lutheran Church, Greensboro, NC
1993–1999
Choir Director, Lee’s Chapel Methodist Church, Greensboro, NC
1989–1991
Organist, Old First Church, Bennington, VT
1987–1988
Soloist, First Congregational Church, South Hadley, MA
1985–1987
Chorister (staff), Trinity Episcopal Church, Buffalo, NY
1982–1985
Editor:
Editor, Journal of the Conductors Guild
2001–2005,
2007–2008
Editor, Podium Notes, Conductors Guild newsletter
2000–2002
Editor, Music Now, Southeastern Composers League
1996–1998
Guest Conductor:
Illinois Wesleyan Civic Orchestra
University of Massachusetts Chamber Choir
National Symphony of the Ukraine
Danville Symphony
Fayetteville Symphony
Philharmonia Orchestra of Greensboro
University of North Carolina at Greensboro Symphony
Elon College-Community Orchestra
Fredonia College Choir and Chamber Singers
Bennington College Choir
Clinician:
Cumberland (NC) All-County Orchestra
2011
Virginia District IX Middle School Choir
2005
Virginia District XIII High School Women’s Choir
2000, 2003
Guilford (NC) All-County High School Band
2001
NC Central District All-State Middle School Band
1999
Western North Carolina All-State Middle School Orchestra
1999
Eastern North Carolina All-State Middle School Orchestra
1997
UNCG Summer Music Camp Senior High Orchestra
1996
Guilford (NC) All-County High School Orchestra
1996
Eastern North Carolina All-State Repertory Orchestra
1996
New York Area All-State High School Orchestra
1995
Adjudicator:
Virginia District XIII Choral Festival
2009
Judge for ICCA Southeastern Regionals
2005
Judge for 50+ Fiesta-val Music Competitions
1993–2001
Judge for Musicale Music Competitions
1999–2011
Western NC Solo and Ensemble String Festivals
1994, 1996
Soloist (samples):
National Symphony of the Ukraine
Chautauqua Civic Orchestra
Elon College-Community Orchestra
Williams Choral Society and Orchestra
Western New York Opera Theater
Greensboro Young Artists’ Opera Theater